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The Chicago Today
  Style & Innovation  Authors Petition ‘Big Five’ Publishers to Halt AI-Generated Books Amid Rising Industry Concerns
Style & Innovation

Authors Petition ‘Big Five’ Publishers to Halt AI-Generated Books Amid Rising Industry Concerns

Sierra EllisSierra Ellis—June 29, 20250
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New York, NY – A significant collective of literary figures, numbering over 70 authors, has publicly challenged major publishing houses, urging them to commit against the release of books created by artificial intelligence. The group, featuring acclaimed writers such as Dennis Lehane, Gregory Maguire, and Lauren Groff, disseminated an open letter through the literary website Lit Hub on Friday, June 28, 2025.

The letter’s central demand is a pledge from publishers to “never release books that were created by machines.” It is specifically addressed to the dominant players in the U.S. publishing landscape, collectively known as the “big five”: Penguin, Random House, HarperCollins, Simon & Schuster, Hachette Book Group, and Macmillan. The petition also extends its call to action to “other publishers of America.”

A Growing Movement

The open letter was accompanied by a petition that quickly garnered substantial support. Within less than 24 hours of its release, the petition had amassed over 1,100 signatures. Notable among the signatories is bestselling author Jodi Picoult, signaling the breadth of concern across different segments of the writing community.

This concerted action unfolds against a backdrop of increasing tension and legal challenges surrounding the use of artificial intelligence in creative industries. The publishing world, like many others, is grappling with the implications of generative AI technologies, which can produce text, images, and other content based on vast datasets.

Concerns Over AI’s Role in Creation

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Authors Petition 'Big Five' Publishers to Halt AI Generated Books Amid Rising Industry Concerns

Authors Petition ‘Big Five’ Publishers to Halt AI-Generated Books Amid Rising Industry Concerns

June 29, 2025

Authors express profound concerns regarding the potential integration of AI into the core creative process and business models of publishing. A primary fear is that publishers might initiate the creation of their own titles using generative AI tools, potentially bypassing human authors entirely.

Beyond the creation of content, there are also anxieties that publishers could utilize AI tools to replace human workers across various functions, impacting editors, designers, and other professionals essential to the book production pipeline. This potential displacement raises questions about the future of human expertise and employment within the industry.

Legal Landscape and Fair Use Debate

The authors’ petition emerges amidst ongoing legal battles concerning copyright infringement and AI training data. Several AI companies, including Anthropic AI and Meta, are currently facing lawsuits alleging that their models were trained on copyrighted works without proper authorization. These cases highlight the complex legal questions surrounding the use of existing intellectual property to train AI systems.

However, recent rulings in some of these cases have favored AI companies, citing the fair use doctrine. These decisions suggest that using legally obtained copyrighted works for the purpose of training AI models may, in certain contexts, be permissible under current law. This legal ambiguity and the outcomes of these cases add urgency to the authors’ call for publishers to take a clear ethical stance.

The petitioners argue that regardless of the legal interpretations surrounding AI training, the deliberate creation and publication of books written by machines would fundamentally devalue human creativity and authorship, potentially disrupting the ecosystem that supports professional writers.

Navigating the Future of Publishing

The current environment reflects a rapidly evolving industry attempting to reconcile technological advancements with established practices and the livelihoods of creators. While the widespread use of fully AI-generated books is not yet commonplace, the potential is a source of significant unease for authors.

It is also notable that some individual author contracts have begun to include AI opt-out clauses, allowing authors to specify how their work can or cannot be used in relation to artificial intelligence technologies. This indicates that the conversation about AI’s role is already taking place at the individual negotiation level, predating this collective action.

The open letter and accompanying petition represent a significant, organized effort by authors to influence the strategic direction of major publishing houses. By demanding a commitment to reject machine-created books, they are seeking to safeguard the role of human creativity and protect their profession in the face of disruptive technological change. The response from the targeted publishers remains a critical focal point as the industry navigates this complex intersection of art, technology, and commerce.

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Sierra Ellis

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