2023 has been a whirlwind year for The Last Dinner Party, a band that has quickly risen from obscurity to become the latest darling of the indie rock scene. Their recent autumn tour, which included a sold-out show in London, further solidified their reputation as a live act that is equal parts theatrical and musically stunning. If you’re a fan of baroque-rock with a gothic flair, this band is likely already on your radar—and if they’re not, well, it’s about time.
A Glimpse into the Performance: October 17, 2023
The Last Dinner Party’s performance at London’s EartH Hall on October 17, 2023, was nothing short of a grandiose spectacle. Fans who had the privilege of attending witnessed a masterclass in musical showmanship. The band’s aesthetic is a throwback to something between Victorian-era drama and the rebellious glam of the 1970s, but the sound? It’s a unique blend of baroque rock, theatrical rock, and experimental indie, all swirled into one immersive experience.
The stage set the tone from the start. Draped in gothic motifs and dim lighting, it evoked an almost mythical atmosphere, as if stepping into an operatic fairy tale. Lead singer Abigail Morris wasted no time enchanting the crowd. Her entrance was described as both ethereal and commanding, and her vocal performance throughout the night was flawless—ranging from haunting falsettos to bold, wailing choruses. Morris isn’t just a singer; she’s a storyteller, using her voice to weave narratives of longing, angst, and defiance.
The Setlist: A Blend of Fan Favorites and New Surprises
Despite having only a handful of officially released tracks, the band treated fans to a variety of songs both old and new, hinting at what’s to come on their anticipated debut album. Opening with “Burn Alive,” the band immediately set the mood with a gritty, high-energy performance. The unreleased Caesar on a TV Screen followed, highlighting the band’s penchant for blending introspective lyrics with intricate melodies.
One standout moment came when Morris introduced My Lady of Mercy, a freshly released track that has quickly gained traction. It’s a song about feminine empowerment and navigating complex emotions, with Morris channeling Joan of Arc as a symbol of strength and grace. Fans couldn’t get enough as the band brought the song to life, complete with energetic riffs and a roaring, cathartic finish.
In what may be a future concert staple, Gjuha was performed as a heartfelt homage to keyboardist Aurora Nishevci’s cultural roots. This soulful track, about Nishevci’s relationship with her native Albanian language, struck a chord with the audience, many of whom related to its themes of identity and heritage.
The evening closed with Nothing Matters, a track that’s fast becoming the band’s signature anthem. The song’s catchy lyrics and infectious energy made it a fitting end to a night full of baroque-rock madness. The crowd was still buzzing as the band took their final bows to Dire Straits’ Money for Nothing—a fitting nod to the irreverence and glamour that The Last Dinner Party embodies.
Musicality and Stage Presence: A Theatrical Triumph
What truly sets The Last Dinner Party apart from the swath of indie newcomers is their theatricality. From the moment the lights dim, it’s clear that this isn’t just a concert; it’s an immersive experience. The band draws heavy inspiration from the likes of Kate Bush and Queen, offering a highly curated, almost cinematic performance.
But let’s not forget the music itself—because behind the glitz and glam, this band can play. Lead guitarist Emily Roberts was a revelation, delivering intricate solos that drew comparisons to 1970s rock gods. Her standout moments during Sinner and Beautiful Boy were a testament to her versatility, effortlessly switching between soft, melodic runs and more aggressive, punk-infused chords.
Rhythm guitarist Lizzie Mayland, often the understated backbone of the group, provided a steady hand that allowed the rest of the band to go full throttle in their theatrical flourishes. Her presence was the glue holding the chaotic, art-rock extravaganza together.
Aurora Nishevci, on keyboards, was equally captivating. Her vocals during Gjuha and On Your Side added depth and emotion to the set, giving the audience a break from the relentless energy without sacrificing intensity. Meanwhile, Georgia, the band’s bassist, powered through with deep, hypnotic grooves that grounded the show’s more outlandish moments.
An Unforgettable Night of Baroque-Rock
The Last Dinner Party is much more than a band; they’re a complete package. Every aspect of their performance is meticulously planned, from the wardrobe to the lighting, ensuring that the audience is transported to a different world for the duration of the show. Yet, despite the theatrics, they never lose sight of the music. Every note is crisp, every harmony intentional. This isn’t a band relying on gimmicks; they have the chops to back up the spectacle.
By the time the show ended, it was clear that this group is destined for bigger stages. The blend of their musical prowess and theatrical elements has them on the cusp of something extraordinary. As one reviewer said, “If you missed this gig, commiserations. There will never be another opportunity to see this band in such an intimate setting”—and that sentiment rings true. With rumors of an album on the horizon and more shows lined up, The Last Dinner Party is poised to take their baroque-rock empire to the next level.
Final Thoughts: Are They Worth the Hype?
Absolutely. In an age where the music industry feels saturated with carbon-copy artists, The Last Dinner Party is a breath of fresh air. Their bold fusion of musical genres, visual theatrics, and confident stage presence make them a standout in today’s indie rock scene. They’re not just riding the wave of hype; they’re creating it.
Their live shows offer a thrilling glimpse of what’s to come, and fans—new and old—would do well to catch them before they inevitably explode onto larger, more mainstream stages. Until then, savor the baroque madness.
